Monday, September 14, 2009

'The Muses are not Amused' Response

Silvetti’s ‘The Muses are Not Amused’, while seeming somewhat blunt at points, gets at a core issue that has come up often in recent in class discussions lectures. When Pablo Garcia came in to join our discussion last week, he mentioned that of all the definitions he had found for ‘thesis’ the most common word to come up was ‘bullshit’. It seems that Jorge Silvetti, in a very appropriate and logical manner, is getting at the point that it is okay for many of the metaphors that architects use to exist as a starting point, but once they are translated into buildings they become mere bullshit. These are not his words, but he does criticize the use of metaphor multiple times throughout the reading.
As has been the issue with some of the previous readings, Silvetti uses form as a mechanism to flesh out his understanding of programism, thematization, blobs, and literalism. I suppose the question that is raised from his analysis is at what point does that architect have too little control over the form? - Specifically to the point where the architecture has to later be ‘stuffed’ with meaning. This stuffing of meaning through the use of common rhetoric is something I’ve seen a lot of in architecture school, where students find reasoning post form-making. Perhaps it is time for academia to evaluate the true importance/definition of rhetoric and metaphor and where in the process they are most appropriate.

2 comments:

  1. Your response is AWESOME.(period)

    yet, I guess I want to leave a few more comments.[If bullshit is not true & thesis is bullshit, thesis is not true.] I do not believe in the equation although it could make sense.

    Silvetti thinks "the use of metaphor should be looked at as an enrichment of meaning." On the other hand, you think as "stuffing of meaning."
    I think this is very interesting discrepancy. I f you and Silvetti argue, I am on your side.(and will be quiet :)

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  2. While it is true that Silvetti believes in the use of metaphor as an enrichment of meaning, he also states that when talking about blobs that they are 'stuffed' with meaning (his words). So while these two interpretations may seem contradictory at first, I think Silvetti would argue that there is an appropriate place for metaphor, but that place might not be in the physical form of the architecture.

    Thanks for the comment. Interesting point.

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